The incredible hulk how to#
The incredible hulk movie#

MARVEL STUDIOS CHANGING EXPECTATIONS WITH IRON MAN , the most terrifying part was trying to figure that out when the title character was not in any of the footage they'd shot.

The incredible hulk how to#

The studio was still learning how to do just that: simply tell a good story. , figuring out the CGI of it all began just like on 's main character, when in his superhero form, was a 100% digital creation: Marvel Studios was, at this point, still learning how to tell engaging stories for audiences with the excessive amount of post-production work, a The government fights Godzilla for three quarters of the movie, then a bigger monster comes along and Godzilla helps the government fight the bigger monster.' One inspiration for the film was Godzilla with Kevin Feige stating thatДЇor inspiration on how to achieve the look and land on the story they wanted, they went straight to the king of all monsters. Broussard, director Louis Letterier, Feige, and their entire post team had a very limited schedule, and the list of what needed to be accomplished in post was massive: The title character, the finale antagonist, and most of the finale itself all had to be created entirely by visual effects. Wherever those shifting perceptions may have been leading, there was no time to get lost in the mire of them. But there was a nervousness, personally for me, offeeling, in a lot of ways, like the runner up as I watched the excitement ofДЄnother huge problem facing post-production was that many of the most important elements of the film were entirely computer-generated visual effects:

The incredible hulk movie#

'Which I think is awesome it's what's great and unexpected about the movie business. 'But through various circumstances of those films, they switched places,' Was viewed as more of a cool, experimental movie. Was treated as their great hope for box office success, while In that context, it's easier to see how Marvel Studios' However, BroussardВ didn't mind, thinking it wasДЄnd what made the movie business so great and unexpected: Was regarded as the surefire successВ withД«eing seen as more of a risk. Something that surprised everyone was that, initially, вЂњDoes it feel a little short to you, Stephen?' Continuing the cross pollination, Favreau attended the screening of this early version of Was clocking in with a bloated three hour cut. When both films moved to the Lantana Media Campus in Santa Monica, to complete their post-production and mixing, Broussard saw a late cut of This anxiety had to primarily do with the film's length, which already clocked in withДirector Jon FavreauВ attended a screening for this cut of

Shots were coming along, which only served to amplify his personal anxiety about how behind he felt his film was. Post teams in an off site facility at the Tribeca West offices.ДЄssociate producer Stephen Broussard often popped down to see how In those early days, Tran worked among both the 'only served to amplify his personal anxiety' Working at an off site facility inВ the Tribeca West offices,ДЄssociate producer Stephen BroussardВ wouldВ check on the progress of

When she first began working for Marvel Studios. In this interview, Tran recountedВ her time as a post-production assistant for 'The Story of Marvel Studios: The Making of the Marvel Cinematic Universe' includes an interview withВ Trinh Tran, currently anВ Executive of Production & Development at Marvel Studios.